Snap36 on the Radio

July 6th, 2010

Here a is a quick link to a radio interview from IRCE 2010:

http://www2.webmasterradio.fm/internet-retailer/2010/06/30/3d-images-and-online-sales/

Snap36 Included in Recent Article about Rich Media

June 14th, 2010

Below is the excerpt mentioning Snap36. Click here to see the entire rich media article.

It’s a Snap
Rich media vendor Snap36’s entire business is centered on making things easy for e-retailers. What Snap36 specializes in—360-degree spinning images—isn’t new. What Snap36 markets is a system that makes it simple to take the photos necessary for the spinning sequences.

The company launched just last year and has about 10 customers. One of them, golf supplies retailer Golfsmith.com, is finding that products with the spin feature have conversion rates at least 10% and sometimes as much as 40% higher than products without it.

The secret to Snap36 is the robot, says Michael Dreas, the vendor’s director of photography. Snap36 works with FotoRobot, a Czech Republic-based company that manufactures robots that snap pictures of a product placed on a rotating table. The robots automate the time-consuming task of taking the many photos necessary to produce a spin effect, and a robot can snap a picture every three seconds, Dreas says.

“If you want to do a really nice 360-spin you need to take 12 to 72 photos with multiple angles,” says Dreas, who estimates a photographer would charge $500 to $ 2,000 for the images needed to simulate spinning a single product.

Golfsmith has added spin photography to hundreds of products since relaunching its site in July, says Eric Mahlstadt, senior online store manager.

The spin feature lets golfers see the size, shape and overall appearance of clubs with more detail than is provided by zoom and high-resolution product images. “Every bit of extra information helps the customer make the right choice when they can’t pick up the actual club to examine it,” Mahlstadt says.

Snap36 will take photos in its studios or travel to the customer. It also leases and sells the robots. Dreas says Snap36 sold its first set of robots in December and the company has sold three more this year.

Prices range from $6,700 to $13,800 for the robots and various accessories. Training and installation is $1,000 per day plus travel expenses. Snap36 suggests three days for installation and training, but it varies with each installation. When Snap36 takes the photos, it charges $100 to $400 per product, charging more for large products like gas grills.

Whether it’s spinning photos, video, high-definition TV or widgets, shoppers like the added detail and entertainment that rich media provide. The good news for e-retailers is that new technology is making rich media more affordable, flexible and cooler than ever.

How do you spin a bicycle?

May 7th, 2010

As we all know, internet retailers sell EVERYTHING. Due to this wide variety of shapes and sizes, we need to get creative with how we rig up a product for spin photography. Many items can simply be placed on the turntable, while others need some “propping up”. There are a new set of complications that come into play when you want spin an item instead of just photography it from one angle. Also, since at Snap36 we use a automated system there isn’t time to be readjusting your “rig” for each angle. Another consideration when setting up for a spin is post production. Photoshop is a great tool, but internet retailers just don’t have the budget for you to retouch the wood block out of every file from a 48 image 3D spin.
We use a robot called the Cube that allows us to hang and spin products. This ability to hang odd shaped products with clear monofilament greatly expands our abilities. It also simplifies the hell out of the whole process, from photography to post production. Hanging a bicycle for spin photography is a great example of what I mentioned above. Here are the basic issues with spinning a bicycle; the bicycle needs to stand straight up and it won’t do this on its own, complicated rigging can’t block any part of it during the spin, it’s big and odd shaped, the client has requested a clean white background, outlining a bicycle can take forever x 24, you can’t spend all day spinning one product even though it looks really cool.
A picture is worth a thousand words, right? I’ll still try to explain what you’re seeing and how this setup is so beneficial.

Click to open larger image


By hanging the bicycle we are eliminating complicated and “heavy” rigging needed to stand it up straight. With the 30lb test clear mono attached correctly, gravity helps us out quite a bit. A few adjustments and our bicycle is hanging straight and level. The white sweep is set back far enough that it is evenly lit and reads almost 100% or 255. With a clean white background and clear line holding suspending the bicycle, retouching is kept to a minimum and manual outlining is not needed. Only where the line crosses in front of certain parts of the bicycle will retouching be needed; these are quick and simple fixes. When spinning products that might have some wobble or shake, we can slow the Cube’s movement down to a crawl. There can be some very small movement, but the short flash duration of the strobes will take care of that. Once everything is set to go, we can photograph a 360° 24 image spinset of a bicycle in under 5 min without having to touch the bicycle during the process. Here are a few finished spins for you to check out.
Triathalon
Mountain
Single Speed

Apple, Adobe and Rich Media

April 30th, 2010

Steve Jobs posted an open letter this week with his thoughts on Flash. This letter finally states, in detail, Apple’s reasons for not allowing Flash on their mobile devices. He does not specifically mention rich media. Because most rich media runs on Flash, I felt this was important to discuss. With the mobile market growing by leaps and bounds and internet retailers adding more rich media content to their sites, the issue of mobile rich media can’t be ignored. I found the letter very informative, but I think there are two sides to every story. Equally important is this video interview with Adobe’s CEO, Shantanu Narayendone, by the Wall Street Journal. He knocks down many of Job’s points, but it’s hard for most of us to decipher what this all really means. One note, you won’t be able to watch the video interview on your Apple device . . . it’s in Flash.

Internet Retailer Article About Snap36 and Golfsmith

April 16th, 2010

How 360-degree spins and robots help Golfsmith.com save time and make money

Snap36’s tagline, “We get around,” is exactly what the new vendor is trying to do with its service that helps retailers quickly take photos to add 360-degree spin technology to a web site. The company launched just last year and has about 10 customers. One of them, golf supplies retailer Golfsmith.com, is finding that products with the special spin feature have conversion rates at least 10% and sometimes as much as 30% to 40% higher than products without it.
Golfsmith.com heard about Snap36 through its rich media vendor Adobe Scene7, says Eric Mahlstadt, Golfsmith’s senior online store manager. The retailer began adding spin photography in July when it relaunched its site. The feature now accompanies ‘hundreds’ of its products, Mahlstadt says.

“Interactive 360- degree views offer customers an opportunity to get closer to the product while shopping online,” Mahlstadt says. “Golf players can get a very granular level of product detail before making a purchase. The size, shape and overall appearance of clubs are all key to players’ preferences and, since golf clubs in particular are a technology-driven product line, every bit of extra information, visual or otherwise, helps the customer make the right choice when shopping in an environment where they can’t pick up the actual club to examine it.”

In addition to clubs, Golfsmith uses 360-degree rotating views for handheld golf GPS devices and golf bags to highlight details that Mahlstadt says could otherwise be missed—even with zoom and high- resolution product images.

Adding the 360-degree spin sets was relatively easy for Golfsmith because the retailer had already implemented a click-to-zoom feature from Adobe Scene7, Mahlstadt says. “Really, the new part was the process of taking the 360-degree photography,” he says.

The secret to that photography is the robot, says Michael Dreas, director of photography for Snap36. Snap36 works with a Czech Republic-based company called PhotoRobot that manufactures machines, or robots, that snap pictures of an image placed on a rotating table. The robots automate the time-consuming task of taking the many photos necessary to produce a spin effect, says Dreas. When working at full capacity a robot snaps a picture every three seconds, Dreas says.

“If you want to do a really nice 360-spin you need to take 12 to 72 photos with multiple angles,” Dreas says. “It just doesn’t make sense for an Internet retailer to pay $500 to $ 2,000 for spin images for one product.” That’s the amount that Dreas estimates a human photographer would charge.

There are several varieties of the Snap36 machines. They include a table that acts as a base for most 360-degree and 3D product spins and shots. There is also an automated mechanical boom that allows the camera to move up and over the product. Larger machines include a platform, a large turntable designed for items that don’t fit on the table, such as appliances, motorcycles, furniture and mannequins.

Snap36 will take photos in its studios or travel to the customer. It also leases and sells the robots. Dreas says robot sales are growing as more retailers want to have the machines on hand to photograph new products as they arrive.

“We sold our first set of robots in December,” he says. “And we’ve sold three this year.” Each sale included three to four robots, Dreas says.

Prices range from $6,700 to $13,800 for the robots and various accessories. Training and installation is $1,000 per day plus travel expenses. Snap36 suggests three days for installation and training, but it can be more or less depending on the order. When Snap36 takes the photos, it charges $100 to $400 per product. Large products such as gas grills are on the higher end.

“We are trying to keep it similar to what one would pay for static photography for an item,” Dreas says. “You’d pay $100 for one good image, but we’ll give you 36 for the same price, and faster. One shoe company we worked with was spending a couple hours to shoot 10 pictures. We came in and were able to shoot more images in three minutes and get those pictures into a computer in less than four.”

In addition to Golfsmith.com, Snap36 customers include Helzberg Diamonds. Clients have full rights to use the photos however they please, Dreas says. For example, he says some are using the images on their packaging as well as their web sites.

Golfsmith chose to send product samples to Snap36 and have the vendor take the pictures. Snap36 returns the shots to Golfsmith via the web, using File Transfer Protocol, or FTP, which is designed for transmitting large graphics. Golfsmith usually receives the photos within a week, Mahlstadt says.

After completing some minor touch- ups, Golfsmith uploads the images to its Scene7 Directory. It then uses Scene7 web tools to build a spin sequence, putting the images in order and choosing a logical starting and finishing point. “The spin set viewer we use is very basic with a clean white background and a minimalist approach to controls that reduces visual clutter and allows the imagery to be highlighted,” Mahlstadt says.

Completed spin sets are saved back to the Scene7 Directory with numeral codes. Golfsmith’s product page template locates the spin set for each product and displays a 360-degree graphic link beneath the standard product image on the site. A click of the link launches the viewer. Scene7 updates each day so that that new spin sets are picked up automatically.

Golfsmith pays Snap36 per item shot, Mahlstadt says. “This allows us to cover hot new products when appropriate and on a selective basis since it’s not currently feasible to provide a 360-degree view for every product in our assortment,” Mahlstadt says.

Golfsmith also was able to convince its manufacturers to help pay for the technology. “No one wants their competitor to have the extra edge, so it’s an easy decision for manufacturers to share the cost with us,” Mahlstadt says.

Link to original article: http://www.internetretailer.com/ECTR/article.asp?id=34398

A Big Box

April 1st, 2010

We just received out latest shipping container from FotoRobot in Prague, and it is loaded with all the latest goodies! We now have the updated Cube with its redesigned mounting system and the smarter and more flexible control units. This shipment also reloaded our supply of Tables, Arms, and for our larger friends, the Platform.

Bringing Spin to the Masses

March 22nd, 2010

When asked what products could benefit from 360° or 3D spin photography, I usually answer, “Pretty much everything.” Any three dimensional item, or product, will show better if a person could see it from all sides. Add the interactive “fun factor” and zoom, and you’re getting a few steps closer to seeing the real thing. The ability to move to and zoom in on a specific point of interest will give a potential customer the feeling of interacting with product without ever having to physically touch it.
The main thing holding many online retailers back from implementing 360° or 3D spin photography on their site is “photography” part. Spin viewers have been around for years, but they couldn’t find anyone to shoot all those different angles over thousands of products for a reasonable cost? As always, it comes down to time and cost. The use of automated systems is the next logical step to simplifying the photographic process of spin. A robotic system can quickly and accurately photograph a spinset (group of 360° or 3D spin images). With preset sequences and never-flinching accuracy, the machines can shorten the time needed to photograph a product thus bringing the cost down to where it now makes sense for online retailers. The FotoRobot system we use at Snap36 gives us the ability to photograph almost any size or shape product in a multitude of different 360° or 3D spinset variations. What used to take up to four hours to photograph can now be done in 3 minutes. Hires images at different angles can be taken every three seconds when the system is running at full speed. By having a central control for the digital camera, robot control and image importing, the photographer can concentrate on lighting and product styling. They won’t get mired down in multiple angles and image counts. With the right production workflow, a team can shoot as many spinsets in a day as they could normally do single images. This efficiency allows us to bring the price very close to the price of traditional static photography. Lower prices and quick time-to-web now makes a 360° and 3D spin photography a viable option for both large and small online retailers.

Spin and Video Can Live Together

February 16th, 2010

I’ve heard spin photography and video compared to one another quite a bit lately. They serve different purposes, but aren’t mutually exclusive. While video can be great at showing how a product functions or interacts with its environment, spin photography really gives the customer a chance to view the product in detail. Ideally, an online retailer would have both a spinviewer and video to give the best presentation possible. The ability to control the direction the product moves combined with zoom capability allows the customer a great way to interact with the product and brings them closer to the in-store shopping experience. Check our some examples in our gallery.

Advantages of 360° and 3D Photography

February 16th, 2010

With more than 75% of internet users shopping online, internet retail is forecasted to grow in the coming years. One overlooked point is that the number of physical in-store purchases influenced by online research is far greater than direct online sales.
Customers like the ability to research and price compare products online. But when it comes time to make the final decision, many need to see the product in person. 360° and 3D spin photography can bring the customer closer to that in-store shopping experience online. By our nature, we want to pick up a product and look at it from all sides; walk around it so that we can get a feel for how it fits into our life. We zero in on particular bits of interest. Spin photography allows that potential customer who might want the in-store experience to feel as though they have seen everything they need to. And, with the correct rich media viewer and the ability to zoom in at any point, they have more than enough visual information to finalize their opinion. Also, the fact that they can control the rotation and zoom gives the customer a sense a of interaction with product they are viewing. Spinning can help to increase online purchases, lessen returns, increase repeat visits and increase overall time on an e-commerce site.
Spin photography is a great addition to the online shopping tools that internet retailers are already using to help their customers buy exactly what they need . . . or want.

The “Photo” in Spin Photography

February 10th, 2010

I quickly touched on many points last time; let’s get into technical explanation of what 360° and 3D spin photography is.  A Spinset, you’ll hear that term alot from me, is a set of still images photographed in a certain order and from distinct angels to create a 360° (flat rotation) or 3D (well . . . three dimensional) online visual experience.  To create the final interactive spin, the spinset is fed into spinviewer software or uploaded to a rich media provider where it is compiled into the final seamless spin you see online.  Right now, Flash is king when we’re talking about interactive spinviewers; so, no spinning on your iPhone just yet.  I’ll detail viewers and rich media providers later.  For now, I will try to stick to the photography part of the equation  In particular, I’m talking about spinning products for online retailers, but it could be used to show off any three dimensional object.  Museums and art galleries could use this tech to give a person the ability to experience a sculpture online if they are not able to visit the piece in person.

Anyway, back on track.  You will also hear me reference Rows and Columns quite a bit.  Since computers need some logical order to operate, we need to think like them when we’re capturing the spinsets.  A grid of Rows and Columns is the best way to visually show how all the images are put together.   Anatomy of a Spinset is an example of  a 4 x 16 spinset, 4 rows by 16 columns for a total of  64 images.  Columns are the points around the circle, X axis, where the product is photographed.  Rows are the vertical angles, Y axis, the camera is stopping at as it moves over the top of the product.   In the 1st row of Anatomy of a Spinset, the product was photographed every 22.5° along the X axis with the camera staying put at 0° on the Y axis (If you stopped here, you would have just completed a 360° spinset, 1 x 16).  For the 2nd row, the camera then moved to 30° up along the Y axis while the product repeated the same rotation every 22.5° along the X axis.  Rows 3 and 4 continued in the same order with the camera moving up to 90°, directly overhead.  Since the product is rotating 360°, the camera only needs to move 90° to capture all the views needed.  What about the bottom for a truly mind blowing 360° 3D spin?  The simplest way would be to flip the product over and repeat the whole process.  The images would then be put into the proper order in the viewer software.  This is just one example of how a spinset could be created.  Obviously, there can be any number of variations of Rows and Columns based on a client’s needs or their website’s limitations.

If you hadn’t noticed, we’re talking about a ton of photography.  Any skilled photographer is capable of capturing these images, but it could easily take two full days to capture 64 images of a single product without some help.  To make this viable for online retailers, see economical, a spinset just can’t take up two days of a photographer’s time.  At Snap36 we use the FotoRobot System which allows the quick and repeatable creation of spinsets in a studio production environment.  The images for Anatomy of a Spinset were photographed in less than four minutes. Four minutes vs. two days.

Hopefully, this has helped to explain the basics of  how the images for a spinset are ordered.

Take care,

Michael Dreas